Screening the Operatic Stage : Television and Beyond
Christopher Morris
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Why Beethoven : A Phenomenon in 100 Pieces
Norman Lebrecht
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Said on Opera
Edward (c/o The Wylie Agency) Said
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Do I Bark Like a Dog? : How an Italian Family History Shaped a Boy in London
Michael Volpe
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The Cambridge Companion to The Magic Flute
Jessica (College of the Holy Cross, Massachusetts) Waldoff
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Bill Viola : Love/Death - The Tristan Project
Peter Sellars
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Picture a day like this (Limited Edition Full Score)
George Benjamin
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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Picture a day like this (First Edition Vocal Score)
George Benjamin
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Twenty-Four Songs and Arias in Spanish : From XV to XXI Centuries. For Medium-Low Voices
Patricia Caicedo
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The Year that Made the Musical : 1924 and the Glamour of Musical Theatre
William A. (University of Missouri, Kansas City) Everett
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Music, the Market, and the Marvellous : Parisian Feerie, 1864-1900
Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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The Choice of Odysseus : Homeric Ethics in Renaissance Epic and Opera
Dr Sarah (Indiana University) Van der Laan
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Screening the Operatic Stage : Television and Beyond
Christopher Morris
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The World Got Away : A Memoir
Mikel Rouse
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Blair Hoxby
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Pasticcio Opera in Britain : History and Context
Peter Morgan Barnes
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English and German Diction for Singers : A Comparative Approach
Amanda Johnston
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