Richard D’Oyly Carte
Paul Seeley
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La Traviata
Giuseppe Verdi
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The Cambridge Companion to Operetta
Anastasia (University of Leeds) Belina
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The Impossible Art : Adventures in Opera
Matthew Aucoin
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Otello (Othello)
Giuseppe Verdi
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Puccini's La Boheme
Alexandra (Professor of Music and Cultural History, Professor Wilson
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Dido and Aeneas
Henry Purcell
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A Dictionary of Opera Characters
Joyce Bourne
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Wagner and Tolkien : Mythmakers
Renee Vink
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Cultural Tourism and Cantonese Opera
Jian Ming (City University of Macau, China) Luo
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Rape at the Opera : Staging Sexual Violence
Margaret Cormier
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Staging Voice
Michal Grover-Friedlander
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Seeing Opera Anew : A Cultural and Biological Perspective
Joseph Cone
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Seeing Opera Anew : A Cultural and Biological Perspective
Joseph Cone
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Theological Anthropology in Mozart’s La clemenza di Tito : Sin, Grace, and Conversion
Steffen Losel
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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Martin Crimp’s Power Plays : Intertextuality, Sexuality, Desire
Vicky Angelaki
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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Popular Opera in Eighteenth-Century France : Music and Entertainment before the Revolution
David Charlton
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