The Malmariee in the Thirteenth-Century Motet
Dolores Pesce
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Guarini's 'Il pastor fido' and the Madrigal : Voicing the Pastoral in Late Renaissance Italy
Seth Coluzzi
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Richard Wagner and the Jews
Milton E. Brener
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Networking Operatic Italy
Francesca Vella
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The Reception of Bach's Organ Works from Mendelssohn to Brahms
Russell (Professor and College Organist, Professor and Colleg Stinson
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Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner's Ring
Mark Berry
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John Taverner : His Life and Music
Hugh Benham
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Rachmaninoff: Composer, Pianist, Conductor
Barrie Martyn
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Perspectives on the Performance of French Piano Music
Lesley A. Wright
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Studies in the Music of Tomas Luis de Victoria
Eugene Casjen Cramer
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Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris
Mark Everist
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C.P.E. Bach : A Guide to Research
Doris Powers
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Brahms : Biographical, Documentary and Analytical Studies
Robert Pascall
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Aesthetics of Opera in the Ancien Regime, 1647-1785
Downing A. (University of Iowa) Thomas
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Teaching Music History with Cases : A Teacher's Guide
Sara Haefeli
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Xenakis Creates in Architecture and Music : The Reynolds Desert House
Roger (Univeristy of California, USA) Reynolds
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Bach Studies : Liturgy, Hymnology, and Theology
Robin A. Leaver
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New Music Theatre in Europe : Transformations between 1955-1975
Robert Adlington
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Victorian Vocalists
Kurt Ganzl
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John Cage : A Research and Information Guide
Sara Haefeli
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Twentieth- and Twenty-First-Century Song Cycles : Analytical Pathways Toward Performance
Gordon Sly
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Composing for the State : Music in Twentieth-Century Dictatorships
Esteban Buch
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Thomas Ades: Asyla
Edward Venn
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Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London
Cheryll Duncan
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