Performing Grief in Pandemic Theatres
Fintan (Birkbeck, University of London) Walsh
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A Performance History of The Fair Penitent
Elaine (University of Bristol) McGirr
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The Poetics of Performance Diagrams
Andrej (Universitat der Kunste Berlin) Mircev
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Imitation and Contamination of the Classics in the Comedies of Ben Jonson : Guides Not Commanders
Tom Harrison
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Violent Liminalities in Early Modern Culture : Inhabiting Contested Thresholds
Kaye McLelland
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Appropriations of Irish Drama in Modern Korean Nationalist Theatre
Hunam Yun
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Reading Shakespeare in Jewish Theological Frameworks : Shylock Beyond the Holocaust
Caroline Wiesenthal Lion
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Harold Pinter's Shakespeare : Shakespeare's Influence on the Work of Harold Pinter
Charles Morton
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Seeing Shakespeare’s Style
USA) Douglas Bruster (University of Texas at Austin
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Shakespeare and Tourism
Robert (Memorial University of Newfoundland, Canada) Ormsby
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Shakespeare's Strangers and English Law
Paul (University of Warwick, UK) Raffield
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The RSC Shakespeare: The Complete Works
William Shakespeare
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English Renaissance Drama : A Norton Anthology
David (University of Chicago) Bevington
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William Shakespeare and Others : Collaborative Plays
Prof. Eric (USA) Rasmussen
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The Norton Shakespeare
Stephen (Harvard University) Greenblatt
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Book of Sides II: Original, Two-Page Scenes for Actors and Directors
Dave Kost
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Suffocating Mothers : Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to the Tempest
Janet Adelman
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Selected Plays of Stan Lai : Volume 1: Secret Love in Peach Blossom Land and Other Plays
Stan Lai
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Old Fortunatus : By Thomas Dekker
David McInnis
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Re-Place : Irish Theatre Environments
Lisa Fitzgerald
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Thirteen Plays by Anton Chekhov, includes On The High Road, The Anniversary, On the Harmful Effects of Tobacco, Swansong, Ivanov, The Bear, A Tragedian in Spite of Himself, The Wedding, A Marriage Pro
Anton Chekhov
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"As You Like it"
William Shakespeare
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