Gombrich: a Theory of Art
Joaquin Lorda
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The Intensive-Image in Deleuze's Film-Philosophy
Crist bal Escobar
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Grey on Grey : At the Threshold of Philosophy and Art
Kamini Vellodi
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An Ontology of Multiple Artworks
David (McGill University) Davies
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Between the Lines : A Philosophy of Theatre
Michael Y. (Associate Professor of English and Affiliated Fac Bennett
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The Traces of Jacques Derrida's Cinema
Timothy (Assistant Professor, Dept. of Film and Media, Assist Holland
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The Profile of Imagining
Robert (Professor of Philosophy, New York University) Hopkins
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Seeing More : Kant's Theory of Imagination
Samantha (Gardner Cowles Associate Professor of the Humaniti Matherne
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Clement of Alexandria and the Judgement of Taste : Pedagogical Rhetoric and Christian Formation
J. M. F. Heath
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Clement of Alexandria and the Judgement of Taste : Pedagogical Rhetoric and Christian Formation
J. M. F. Heath
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Walter Pater and Persons
Stephen (Senior Lecturer in English, Senior Lecturer in Englis Cheeke
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The Musician as Philosopher : New York’s Vernacular Avant-Garde, 1958–1978
Michael Gallope
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Beauty Matters : Modern Japanese Literature and the Question of Aesthetics, 1890–1930
Anri Yasuda
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Intuition in Kant : The Boundlessness of Sense
Daniel Smyth
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Intuition in Kant : The Boundlessness of Sense
Daniel (Wesleyan University, Connecticut) Smyth
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Intuition in Kant : The Boundlessness of Sense
Daniel Smyth
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Kant on Pleasure and Judgment : A Developmental and Interpretive Account
Alexander (University of Alberta) Rueger
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Kant on Pleasure and Judgment : A Developmental and Interpretive Account
Alexander Rueger
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Kierkegaard's Concept of the Interesting : The Aesthetic Gulf in Either/Or I
Anthony Eagan
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