The Massacre at Paris : By Christopher Marlowe
Mathew R. Martin
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Antony and Cleopatra
Carol Chillington Rutter
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Serial Shakespeare : An Infinite Variety of Appropriations in American Tv Drama
Elisabeth Bronfen
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Shakespeare's Resources
John Drakakis
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Playing the King: Lope de Vega and the Limits of Conformity
Melveena McKendrick
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Shakespeare's Imaginary Constitution : Late Elizabethan Politics and the Theatre of Law
Paul (University of Warwick, UK) Raffield
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A Taste for the Negative : Beckett and Nihilism
Shane Weller
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Under the Greenwood Tree : A Celebration of Kentucky Shakespeare
Tracy E. K'Meyer
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Aristophanes: Cavalry
Professor Robert (Associate Professor, York University, Canad Tordoff
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The Rhesus Attributed to Euripides
Marco (Roehampton University, London) Fantuzzi
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Staging "The Mysterious Mother"
Cynthia E. Roman
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Localizing Christopher Marlowe : His Life, Plays and Mythology, 1575-1593
Professor Arata Ide
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Blindness and Spectatorship in Ancient and Modern Theatres : Towards New Ways of Looking and Looking Back
Marchella (The Open University, Milton Keynes) Ward
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The Merchant of Venice
Boika Sokolova
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Allegorising Thought on the Shakespearean Stage : The Discovery of the Mind
Claire Gu ron
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Derek Walcott's Painters : A Life with Pictures
Maria Cristina Fumagalli
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Arden of Faversham: A Critical Reader
Dr Peter Kirwan
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Global Shakespeare and Social Injustice : Towards a Transformative Encounter
Chris Thurman
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Stages of Madness : Sin, Sickness and Seneca in Shakespearean Drama
Andrew J. Power
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Memory and Affect in Shakespeare's England
Jonathan (University of Rochester, New York) Baldo
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Shakespeare, the Reformation and the Interpreting Self
Roberta Kwan
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Generic Innovation in Shakespeare and His Contemporaries
Edward Gieskes
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The Alchemist
Tanya (Brooklyn College, The City University of New York, USA Pollard
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Poison on the Early Modern English Stage : Plants, Paints and Potions
Lisa Hopkins
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