Music and the Making of Medieval Venice
Jamie L. (Princeton University, New Jersey) Reuland
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Interwar Symphonies and the Imagination : Politics, Identity, and the Sound of 1933
Emily (King's College London) MacGregor
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Interwar Symphonies and the Imagination : Politics, Identity, and the Sound of 1933
Emily MacGregor
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The Requiem of Tomas Luis de Victoria (1603)
Owen (University of Oxford) Rees
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Add to BasketThe Requiem of Tomas Luis de Victoria (1603)
Owen (University of Oxford) Rees
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Add to BasketPolyphony in Medieval Paris : The Art of Composing with Plainchant
Catherine A. (Universitetet i Oslo) Bradley
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Polyphony in Medieval Paris : The Art of Composing with Plainchant
Catherine A. (Universitetet i Oslo) Bradley
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Brahms's Elegies : The Poetics of Loss in Nineteenth-Century German Culture
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Brahms's Elegies : The Poetics of Loss in Nineteenth-Century German Culture
Nicole (University of California, Irvine) Grimes
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Music behind the Iron Curtain : Weinberg and his Polish Contemporaries
Daniel (Royal Holloway, University of London) Elphick
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The Requiem of Tomas Luis de Victoria (1603)
Owen Rees
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Music behind the Iron Curtain : Weinberg and his Polish Contemporaries
Daniel Elphick
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Brahms's Elegies : The Poetics of Loss in Nineteenth-Century German Culture
Nicole Grimes
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Music behind the Iron Curtain : Weinberg and his Polish Contemporaries
Daniel (Royal Holloway, University of London) Elphick
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