Race and Media Literacy, Explained (or Why Does the Black Guy Die First?)
Frederick W. Gooding, Jr.
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History on Film/Film on History
Robert A. Rosenstone
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History on Film/Film on History
Robert A. Rosenstone
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Theatre-Making : Interplay Between Text and Performance in the 21st Century
D. Radosavljevic
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Crafting Short Screenplays That Connect
Claudia (Award-Winning Screenwriter and Florida State Hunter Johnson
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Captain America and the American Journey, 1940-2022
Richard A. Hall
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Cinema, Memory, Modernity : The Representation of Memory from the Art Film to Transnational Cinema
Russell J.A. Kilbourn
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Theatre-Making : Interplay Between Text and Performance in the 21st Century
D. Radosavljevic
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Television and Screen Writing : From Concept to Contract
Richard A (Richard A. Blum is Professor of film and head of the Blum
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The Pocket Lawyer for Filmmakers : A Legal Toolkit for Independent Producers
Esq., Thomas A. (Lawyer, USA) Crowell
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Television and Screen Writing : From Concept to Contract
Richard A (Richard A. Blum is Professor of film and head of the Blum
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And the Mirror Cracked : Feminist Cinema and Film Theory
A. Smelik
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Phantoms of War in Contemporary German Literature, Films and Discourse : The Politics of Memory
A. Fuchs
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Re-Framing the Theatrical : Interdisciplinary Landscapes for Performance
A. Oddey
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Possessed Child Narratives in Literature and Film : Contrary States
A. Schober
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Screening Schillebeeckx : Theology and Third Cinema in Dialogue
A. Sison
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Commerce in Culture : States and Markets in the World Film Trade
A. Flibbert
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Picturing the Primitive : Visual Culture, Ethnography, and Early German Cinema
A. Oksiloff
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Contemporary Asylum Narratives : Representing Refugees in the Twenty-First Century
A. Woolley
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W. C. Fields from Burlesque and Vaudeville to Broadway : Becoming a Comedian
A. Wertheim
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Girlfriends and Postfeminist Sisterhood
A. Winch
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Screen Hustles, Grifts and Stings : Stings, Grifts, Hustles and the Long Con
A. Sargeant
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Accountability and the Public Interest in Broadcasting
Kenneth A. Loparo
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