The Prop Building Guidebook : For Theatre, Film, and TV
Eric (Professional Prop Builder, New York, NY, USA) Hart
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Format Friction : Perspectives on the Shellac Disc
Gavin Williams
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Traveling Auteurs : The Geopolitics of Postwar Italian Cinema
Luca (Concordia University) Caminati
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The Ethnographic Optic : Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Laure (Bentley University) Astourian
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Revolutionary Becomings : Documentary Media in Twentieth-Century China
Ying Qian
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Podcasting as an Intimate Medium
Alyn (University of Leipzig, Germany) Euritt
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The Language of New Media
Lev (City University of New York) Manovich
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Film Theory : An Introduction
Robert (New York University) Stam
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Kill the Documentary : A Letter to Filmmakers, Students, and Scholars
Jill Godmilow
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The Middle Ages in Popular Imagination : Memory, Film and Medievalism
Paul B. Sturtevant
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"To Everything There is a Season" : Pete Seeger and the Power of Song
Allan M. Winkler
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A Feminist Ethnomusicology : Writings on Music and Gender
Ellen Koskoff
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Fashion in Film
Adrienne Munich
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The Voice as Something More : Essays Toward Materiality
Martha Feldman
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Transmedia Directors : Artistry, Industry and New Audiovisual Aesthetics
Professor Carol (Stanford University, USA) Vernallis
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Doing Dramaturgy : Thinking Through Practice
Maaike Bleeker
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Musical Migration and Imperial New York : Early Cold War Scenes
Brigid Cohen
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Tuning the World : The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955
Fanny Gribenski
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"To Everything There is a Season" : Pete Seeger and the Power of Song
Allan M. Winkler
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Concentrationary Imaginaries : Tracing Totalitarian Violence in Popular Culture
Griselda (University of Leeds, UK) Pollock
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Cybermedia : Explorations in Science, Sound, and Vision
Professor Carol (Stanford University, USA) Vernallis
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Gamelan Girls : Gender, Childhood, and Politics in Balinese Music Ensembles
Sonja Lynn Downing
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