Karma : My Autobiography: 'The most entertaining music memoir since Elton John' Observer
Boy George
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Podcasting as an Intimate Medium
Alyn (University of Leipzig, Germany) Euritt
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Practically Perfect : Life Lessons from Mary Poppins
Katy Brand
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I Carried a Watermelon : Dirty Dancing and Me
Katy Brand
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Doing Dramaturgy : Thinking Through Practice
Maaike Bleeker
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Musical Migration and Imperial New York : Early Cold War Scenes
Brigid Cohen
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Tuning the World : The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955
Fanny Gribenski
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The New Grove Guide to Wagner and His Operas
Barry Millington
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Towards a Posthuman Imagination in Literature and Media : Monsters, Mutants, Aliens, Artificial Beings
Simona Micali
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Reframing the European Other : Identity and Belonging in Contemporary French and German Cinema
Kamil Zapasnik
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Koji Kondo's Super Mario Bros. Soundtrack
Andrew (New England Conservatory, USA) Schartmann
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Maria Callas's Lyric and Coloratura Arias
Ginger (The New School, USA) Dellenbaugh
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The Technique of Film and Video Editing : History, Theory, and Practice
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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Translating Song : Lyrics and Texts
Peter (University of Canterbury, New Zealand) Low
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Dancefilm : Choreography and the Moving Image
Erin (Lecturer, Lecturer, University of New South Wales) Brannigan
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Documentary Storytelling : Creative Nonfiction on Screen
Sheila (University at Albany, State University of New Curran Bernard
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On Camera : How To Report, Anchor & Interview
Nancy (New York University, USA) Reardon
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Camp Lo's Uptown Saturday Night
Patrick (University of New Haven, USA) Rivers
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Creatures of the Air : Music, Atlantic Spirits, Breath, 1817-1913
J. Q. Davies
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Historical Research, Creative Writing, and the Past : Methods of Knowing
Kevin A. Morrison
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Historical Research, Creative Writing, and the Past : Methods of Knowing
Kevin A. Morrison
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