Before and After Corroboree: The Music of John Antill
David Symons
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War and Death in the Music of George Crumb : A Crisis of Collective Memory
Abigail Shupe
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Bach's Fugal Works : With an Account of Fugue before and after Bach
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Romance on the Early Modern Stage : English Expansion Before and After Shakespeare
Cyrus Mulready
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Ruptures and Continuities in Soviet/Russian Cinema : Styles, characters and genres before and after the collapse of the USSR
Birgit Beumers
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Ruptures and Continuities in Soviet/Russian Cinema : Styles, characters and genres before and after the collapse of the USSR
Birgit Beumers
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Ruptures and Continuities in Soviet/Russian Cinema : Styles, characters and genres before and after the collapse of the USSR
Birgit Beumers
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Musics with and after Tonality : Mining the Gap
Paul Fleet
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Heitor Villa-Lobos’s Bachianas Brasileiras : Intertextuality and Stylization
Norton Dudeque
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The Music of Pavel Haas : Analytical and Hermeneutical Studies
Martin Curda
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Gyoergy Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque
Peter (University of Oslo, Norway) Edwards
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Concepts of Time in Post-War European Music
Aaron Hayes
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Critical Perspectives on Michael Finnissy : Bright Futures, Dark Pasts
Ian Pace
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The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg
Matthew Arndt
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Compositional Process in Elliott Carter’s String Quartets : A Study in Sketches
Laura (Emory University, USA) Emmery
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