From Playtext to Performance on the Early Modern Stage : How Did They Do It?
Leslie Thomson
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From Modes to Keys in Early Modern Music Theory
Michael R. (Associate Professor, Associate Professor, Universit Dodds
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A Performer's Guide to Transcribing, Editing, and Arranging Early Music
Alon (Senior Lecturer in the Department of Music, Senior Lectur Schab
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The Crisis of Music in Early Modern Europe, 1470-1530
Rob C. Wegman
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A Social History of Early Rock n Roll in Germany : Hamburg from Burlesque to The Beatles, 1956-69
Julia Sneeringer
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The Oxford Handbook of Early Childhood Learning and Development in Music
Margaret S. (Head of the Sir Zelman Cowen School of Music and Barrett
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The Routledge Companion to Global Film Music in the Early Sound Era
Jeremy Barham
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The Routledge Companion to Global Film Music in the Early Sound Era
Jeremy Barham
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The Routledge Companion to Global Film Music in the Early Sound Era
Jeremy Barham
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Early 20th Century Opera Singers : Their Voices and Recordings from 1900-1949
Nicholas E Limansky
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Indie 2.0 : Change and Continuity in Contemporary American Indie Film
Geoff (Professor of Film Studies, Brunel University London, UK) King
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Television 2.0 : Viewer and Fan Engagement with Digital TV
Rhiannon Bury
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Radio 2.0 : Uploading the First Broadcast Medium
Lasar Matthew Lasar
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Pink 2.0 : Encoding Queer Cinema on the Internet
Noah A. Tsika
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Pink 2.0 : Encoding Queer Cinema on the Internet
Noah A. Tsika
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Television 2.0 : Viewer and Fan Engagement with Digital TV
Rhiannon Bury
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Intertextuality 2.0 : Metadiscourse and Meaning-Making in an Online Community
Cynthia Gordon
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Intertextuality 2.0 : Metadiscourse and Meaning-Making in an Online Community
Cynthia (Associate Professor, Associate Professor, Department Gordon
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Indie 2.0 : Change and Continuity in Contemporary American Indie Film
Geoff (Professor of Film Studies, Brunel University London, UK) King
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Celeb 2.0 : How Social Media Foster Our Fascination with Popular Culture
Kelli S. Burns
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