Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Stanislavsky and Race : Questioning the “System” in the 21st Century
Siiri Scott
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La MaMa Experimental Theatre – A Lasting Bridge Between Cultures : The Dialogue with European Theater in the Years 1961–1975
Monica Cristini
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Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers
Rafael Lopez-Barrantes
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Ricardo Darin and the Construction of Latin American Film Stardom
Clara Garavelli
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Ricardo Darin and the Construction of Latin American Film Stardom
Clara Garavelli
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Performative Opacity in the Work of Isabelle Huppert
Iggy Cortez
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Acting Is Believing : Stanislavski in the 21st Century
Kenneth L. Stilson
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Contemporary Storytelling Performance : Female Artists on Practices, Platforms, Presences
Stephe Harrop
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The Improvisation Studies Reader : Spontaneous Acts
Rebecca (University of Guelph, Ontario, Canada) Caines
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Adolphe Appia: Artist and Visionary of the Modern Theatre
Richard C. Beacham
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Master Classes in the Michael Chekhov Technique
The Michael Chekhov Association Micha
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Psychology for Performing Artists : Butterflies and Bouquets
Glenn Wilson
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Ritual, Rapture and Remorse : A Study of Tarantism and "Pizzica" in Salento
Jerri Daboo
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On Actors And Acting
Prof. Peter Thomson
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£75.00
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Experiencing Stanislavsky Today : Training and Rehearsal for the Psychophysical Actor
Stephanie Daventry French
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Articulate Objects : Voice, Sculpture and Performance
Aura Satz
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Yoga and Actor Training
Dorinda (University of Exeter) Hulton
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£52.79
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Cruel Britannia : Sarah Kane’s Postmodern Traumatics
Jolene Armstrong
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