The Modern Vampire and Human Identity
Deborah Mutch
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The Great War in Popular British Cinema of the 1920s : Before Journey's End
L. Napper
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Film Trilogies : New Critical Approaches
C. Perkins
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Literature and Visual Technologies : Writing After Cinema
J. Murphet
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Screenwriting Poetics and the Screen Idea
I. MacDonald
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A New History of British Documentary
J. Chapman
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Big Brother : Reality TV in the Twenty-First Century
J. Bignell
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Satyajit Ray's The Chess Players and Postcolonial Film Theory : Postcolonialism and Film Theory
Reena Dube
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Popular Spanish Film Under Franco : Comedy and the Weakening of the State
S. Marsh
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Cyborg Cinema and Contemporary Subjectivity
S. Short
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Theorizing Desire : From Freud to Feminism to Film
K. Gorton
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Screening Novel Women : From British Domestic Fiction to Film
Liora Brosh
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Russia and its Other(s) on Film : Screening Intercultural Dialogue
S. Hutchings
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A Feminine Cinematics : Luce Irigaray, Women and Film
Caroline Bainbridge
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Phantoms of War in Contemporary German Literature, Films and Discourse : The Politics of Memory
A. Fuchs
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Teaching Holocaust Literature and Film
R. Eaglestone
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Television and Terror : Conflicting Times and the Crisis of News Discourse
A. Hoskins
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Masculine Jealousy and Contemporary Cinema
C. Yates
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Accountability and the Public Interest in Broadcasting
Kenneth A. Loparo
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Sexual Difference in European Cinema : The Curse of Enjoyment
F. Vighi
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Early Modern Tragedy, Gender and Performance, 1984-2000 : The Destined Livery
Roberta Barker
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Seeing Film and Reading Feminist Theology : A Dialogue
U. Vollmer
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