Screening the Operatic Stage : Television and Beyond
Christopher Morris
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Add to BasketCallas: Images of a Legend
Attila Csampai
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The Cambridge Companion to The Magic Flute
Jessica (College of the Holy Cross, Massachusetts) Waldoff
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Add to BasketBill Viola : Love/Death - The Tristan Project
Peter Sellars
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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Picture a day like this (First Edition Vocal Score)
George Benjamin
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Twenty-Four Songs and Arias in Spanish : From XV to XXI Centuries. For Medium-Low Voices
Patricia Caicedo
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Italian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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English and German Diction for Singers : A Comparative Approach
Amanda Johnston
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The Year that Made the Musical : 1924 and the Glamour of Musical Theatre
William A. (University of Missouri, Kansas City) Everett
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Liyuanxi - Chinese 'Pear Garden Theatre'
Josh (University of Sydney, Australia) Stenberg
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(How) Opera Works, (Hoe) opera werkt : Pierre Audi Lectures, Pierre Audi lezingen
Liesbeth Kruyt
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Wagnerism : Art and Politics in the Shadow of Music
Alex Ross
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The Gilded Stage : A Social History of Opera
Daniel Snowman
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Add to BasketThe Opera Lover’s Companion
Charles Osborne
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Add to BasketMy Beloved Man : The Letters of Benjamin Britten and Peter Pears
Vicki (Customer) Vicki Stroeher
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The Wagner Operas
Ernest Newman
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Add to BasketOpera's Second Death
Slavoj Zizek
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