Embodying Voice : Singing Verdi, Singing Wagner
Margaret Medlyn
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Opera and Drama in Eighteenth-Century London : The King's Theatre, Garrick and the Business of Performance
Ian Woodfield
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Transvestite Achilles : Gender and Genre in Statius' Achilleid
P. J. Heslin
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Cambridge Companion to Verdi
Scott L. Balthazar
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Opera and Society in Italy and France from Monteverdi to Bourdieu
Victoria Johnson
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Schoenberg's Musical Imagination
Michael Cherlin
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Verdi and the French Aesthetic : Verse, Stanza, and Melody in Nineteenth-Century Opera
Andreas Giger
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Wagner's Ring Cycle and the Greeks
Daniel H. Foster
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Richard Wagner : Self-Promotion and the Making of a Brand
Nicholas Vazsonyi
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Wagner's Ring Cycle and the Greeks
Daniel H. Foster
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Situating Opera : Period, Genre, Reception
Herbert Lindenberger
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Situating Opera : Period, Genre, Reception
Herbert Lindenberger
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Opera in the Novel from Balzac to Proust
Cormac Newark
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Opera in the Novel from Balzac to Proust
Cormac Newark
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Emblems of Eloquence : Opera and Women's Voices in Seventeenth-Century Venice
Wendy Heller
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The Keys to French Opera in the Nineteenth Century
Herve Lacombe
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Russian Opera and the Symbolist Movement
Simon Morrison
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Understanding the Women of Mozart's Operas
Kristi Brown-Montesano
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