A Syncretistic Theory of Depiction
A. Voltolini
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Brian Friel : Theatre and Politics
A. Roche
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Media Parasites in the Early Avant-Garde : On the Abuse of Technology and Communication
A. Niebisch
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Shakespeare and the Shrew : Performing the Defiant Female Voice
A. Kamaralli
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W. C. Fields from Burlesque and Vaudeville to Broadway : Becoming a Comedian
A. Wertheim
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Animals in the Classical World : Ethical Perspectives from Greek and Roman Texts
A. Harden
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Intermedial Shakespeares on European Stages
A. Mancewicz
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Modern Architecture in Theatre : The Experiments of Art et Action
A. Read
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Modern Architecture in Theatre : The Experiments of Art et Action
A. Read
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Theatre and Event : Staging the European Century
A. Kear
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Confronting Visuality in Multi-Ethnic Women’s Writing
A. Laflen
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American Comics, Literary Theory, and Religion : The Superhero Afterlife
A. Lewis
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American Comics, Literary Theory, and Religion : The Superhero Afterlife
A. Lewis
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Teaching Theatre Today: Pedagogical Views of Theatre in Higher Education
A. Fliotsos
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Shakespearean Neuroplay : Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science
A. Cook
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Shakespeare and Genre : From Early Modern Inheritances to Postmodern Legacies
A. Guneratne
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Evolving Hamlet : Seventeenth-Century English Tragedy and the Ethics of Natural Selection
A. Fletcher
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Shakespearean Neuroplay : Reinvigorating the Study of Dramatic Texts and Performance Through Cognitive Science
A. Cook
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