Shakespeare in Parts
Simon (Fellow and Tutor in English, Brasenose College, Oxford Palfrey
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Shakespearean Neuroplay : Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science
A. Cook
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Shakespeare and Genre : From Early Modern Inheritances to Postmodern Legacies
A. Guneratne
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Evolving Hamlet : Seventeenth-Century English Tragedy and the Ethics of Natural Selection
A. Fletcher
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Authoring Performance : The Director in Contemporary Theatre
A. Sidiropoulou
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Refugees, Theatre and Crisis : Performing Global Identities
A. Jeffers
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Shakespeare and the Shrew : Performing the Defiant Female Voice
A. Kamaralli
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Re-Framing the Theatrical : Interdisciplinary Landscapes for Performance
A. Oddey
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Media Parasites in the Early Avant-Garde : On the Abuse of Technology and Communication
A. Niebisch
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Modern Architecture in Theatre : The Experiments of Art et Action
A. Read
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The Dangerous Lives of Public Performers : Dancing, Sex, and Entertainment in the Islamic World
A. Shay
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The Shakespearean Dramaturg : A Theoretical and Practical Guide
A. Hartley
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Representation and Identity from Versailles to the Present : The Performing Subject
A. Sikes
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Acting like a Woman in Modern Japan : Theater, Gender and Nationalism
A. Kano
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