Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Singers of Italian Opera : The History of a Profession
John (University of Sussex) Rosselli
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Richard D’Oyly Carte
Paul Seeley
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Theological Anthropology in Mozart’s La clemenza di Tito : Sin, Grace, and Conversion
Steffen Losel
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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The Tuneful Voice : Selected Libretti
Eugene Benson
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Opera in Performance : Analyzing the Performative Dimension of Opera Productions
Clemens Risi
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Barrie Kosky on the Contemporary Australian Stage : Affect, Post-Tragedy, Emergency
Charlotte Farrell
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The Operas of Rameau : Genesis, Staging, Reception
Graham Sadler
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The Original Portrayal of Mozart’s Don Giovanni
Magnus Tessing Schneider
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Dramaturgies of Love in Romeo and Juliet : Word, Music, and Dance
Jonas Kellermann
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Digital Scenography in Opera in the Twenty-First Century
Caitlin Vincent
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D’Oyly Carte : The Decline and Fall of an Opera Company
Paul Seeley
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Unsung Voices : Opera and Musical Narrative in the Nineteenth Century
Carolyn Abbate
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Voice Secrets : 100 Performance Strategies for the Advanced Singer
Matthew Hoch
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Il Trovatore : Study Score from the Critical Edition
Giuseppe Verdi
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The Arts of the Prima Donna in the Long Nineteenth Century
Rachel (Professor in the School of Music, Cardiff University, Cowgill
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The Cambridge Mozart Encyclopedia
Cliff (King's College London) Eisen
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Italian Opera Houses and Festivals
Karyl Charna Lynn
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The Complete Annotated Gilbert & Sullivan : 20th Anniversary Edition
Ian (Reader in Church History & Practical Theology, Reader in Bradley
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Francesca Caccini at the Medici Court : Music and the Circulation of Power
Suzanne G. Cusick
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