Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Opera's Second Death
Slavoj Zizek
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Gilbert and Sullivan : The Great Savoy Operas
Mike Lepine
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Inventing the Opera House : Theater Architecture in Renaissance and Baroque Italy
Eugene J. (Williams College, Massachusetts) Johnson
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Marina Abramovic: 7 Deaths of Maria Callas
Marina Abramovic
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Omnis Temporalis : A Visual Long-Playing Record
Seth
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Singers of Italian Opera : The History of a Profession
John (University of Sussex) Rosselli
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Acting for Singers : Creating Believable Singing Characters
David F. (, Bay Area Summer Opera Theater Institute) Ostwald
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Richard D’Oyly Carte
Paul Seeley
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Seeing Opera Anew : A Cultural and Biological Perspective
Joseph Cone
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Theological Anthropology in Mozart’s La clemenza di Tito : Sin, Grace, and Conversion
Steffen Losel
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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Opera : Illustravit Christ. Guil. Mitscherlich, Volume 1...
Horace
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Digital Scenography in Opera in the Twenty-First Century
Caitlin Vincent
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D’Oyly Carte : The Decline and Fall of an Opera Company
Paul Seeley
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Opera in Performance : Analyzing the Performative Dimension of Opera Productions
Clemens Risi
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Dramaturgies of Love in Romeo and Juliet : Word, Music, and Dance
Jonas Kellermann
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Barrie Kosky on the Contemporary Australian Stage : Affect, Post-Tragedy, Emergency
Charlotte Farrell
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The Operas of Rameau : Genesis, Staging, Reception
Graham Sadler
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The Original Portrayal of Mozart’s Don Giovanni
Magnus Tessing Schneider
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