The Politicized Concert Mass (1967-2007) : From Secularism to Pluralism
Stephanie Rocke
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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Revisiting the Historiography of Postwar Avant-Garde Music
Anne-Sylvie Barthel-Calvet
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Harmony at the Piano : Using Keyboard Harmony to Learn Advanced Piano Music
Ken Johansen
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Harmonic Development and Contrapuntal Techniques for the Jazz Pianist : An Imaginative Approach
Gary Motley
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Experiencing Organised Sounds : The Listening Experience Across Diverse Sound-Based Works
Leigh Landy
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Rudolph Ganz, Patriotism, and Standardization of The Star-Spangled Banner, 1907-1958
Iain Quinn
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Orchestra Management in Practice
Salvino A. Salvaggio
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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The Crossings : Defining Slave to the Rhythm
Jeremy J. (University of York) Wells
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An Anti-Woke Guide to Classical Music : A Celebration of Dead White Male Composers
Robert R. Reilly
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Music in Golden-Age Florence, 1250-1750 : From the Priorate of the Guilds to the End of the Medici Grand Duchy
Anthony M. Cummings
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Opera : Illustravit Christ. Guil. Mitscherlich, Volume 1...
Horace
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Opera Ad Philosophiam Criticam : Latine Vertit Fredericus Gottlob Born; Volume 4
Immanuel Kant
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Bibliographie Zur Geschichte Des Deutschen Kirchenliedes Im Xvi. Jahrhundert
Philipp Wackernagel
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Briefwechsel Zwischen Wagner Und Liszt, Volumes 1-2
Richard Wagner
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Friedrich Chopin Als Mensch Und Als Musiker, erster Band.
Frederick Niecks
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Digital Scenography in Opera in the Twenty-First Century
Caitlin Vincent
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D’Oyly Carte : The Decline and Fall of an Opera Company
Paul Seeley
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Opera in Performance : Analyzing the Performative Dimension of Opera Productions
Clemens Risi
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Sound in the Ecstatic-Materialist Perspective on Experimental Music
Riccardo D. Wanke
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