Return to Riemann : Tonal Function and Chromatic Music
J. P. E. Harper-Scott
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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Gregorio Ballabene’s Forty-eight-part Mass for Twelve Choirs (1772)
Florian Bassani
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Authorship and Identity in Late Thirteenth-Century Motets
Catherine A. Bradley
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Playing on Words : A Guide to Luciano Berio's Sinfonia
David Osmond-Smith
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The Politics of Plainchant in fin-de-siecle France
Katharine Ellis
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The Breath of the Symphonist : Shostakovich's Tenth
David Fanning
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Szymanowski, Eroticism and the Voices of Mythology
Stephen Downes
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Towards a Harmonic Grammar of Grieg's Late Piano Music : Nature and Nationalism
Benedict Taylor
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Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London
Cheryll Duncan
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Gregorio Ballabene’s Forty-eight-part Mass for Twelve Choirs (1772)
Florian Bassani
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Authorship and Identity in Late Thirteenth-Century Motets
Catherine A. Bradley
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The Malmariee in the Thirteenth-Century Motet
Dolores Pesce
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The Genesis and Development of an English Organ Sonata
Iain Quinn
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The Regulation and Reform of Music Criticism in Nineteenth-Century England
Paul Watt
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Upper-Voice Structures and Compositional Process in the Ars Nova Motet
Anna Zayaruznaya
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Regina Mingotti: Diva and Impresario at the King's Theatre, London
Michael Burden
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The Cyclic Mass : Anglo-Continental Exchange in the Fifteenth Century
James Cook
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Repetition in Music : Theoretical and Metatheoretical Perspectives
Adam Ockelford
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Salomon and the Burneys : Private Patronage and a Public Career
Ian Woodfield
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'To fill, forbear, or adorne' : The Organ Accompaniment of Restoration Sacred Music
Rebecca Herissone
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Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata
Nicholas Marston
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MS Florence, Biblioteca Nazionale Centrale, Magl. XIX, 164–167
Anthony M. Cummings
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Bartok and the Grotesque : Studies in Modernity, the Body and Contradiction in Music
Julie Brown
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