Joaquin Rodrigo : A Research and Information Guide
Walter Aaron (University of California, Riverside, USA) Clark
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The Popular and the Sacred in Music
Antti-Ville Karja
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Dramaturgies of Love in Romeo and Juliet : Word, Music, and Dance
Jonas Kellermann
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Joaquin Rodrigo : Writings on Music
Raymond Calcraft
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Beethoven and Greco-Roman Antiquity
Jos van der Zanden
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Phonographic Encounters : Mapping Transnational Cultures of Sound, 1890-1945
Elodie A. (University of Newcastle, UK) Roy
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Barrie Kosky on the Contemporary Australian Stage : Affect, Post-Tragedy, Emergency
Charlotte Farrell
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The Operas of Rameau : Genesis, Staging, Reception
Graham Sadler
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Modes of Communication in Stravinsky’s Works : Sign and Expression
Per Dahl
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Inclusive Music Histories: Leading Change through Research and Pedagogy : CMS Emerging Fields in Music
Ayana O. Smith
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Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964-1985
Richard Louis Gillies
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The Original Portrayal of Mozart’s Don Giovanni
Magnus Tessing Schneider
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The Routledge Handbook to the Music of Alfred Schnittke
Gavin Dixon
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Musics with and after Tonality : Mining the Gap
Paul Fleet
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The Many Worlds of David Amram : Renaissance Man of American Music
Dean Birkenkamp
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Linguistics for Singers : An Introduction
Gregory (University of Auckland, New Zealand) Camp
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Forging Pathways to Improvise Music : For Classical, Jazz, Comedic, and Church Musicians
Joseph (Florida Tech, USA) Montelione
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Add to BasketMusical Record and Review, Issues 420-431; issues 468-485
Anonymous
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Medieval Polyphony and Song
Helen (Royal Holloway, University of London) Deeming
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The Sound of Byzantium – The Byzantine Musical Instruments
Antonios Botonakis
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Chopin : A Graded Practical Guide
Eleanor Bailie
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Twentieth-Century Music : A History of Musical Style in Modern Europe and America
Robert P. Morgan
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Modern Music and After
Paul (Freelance, Freelance, Wales) Griffiths
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